Jasmine Sandlas Songs That Belong on Every Punjabi Playlist

DPIFF’s latest Instagram post turns the spotlight on Jasmine Sandlas, the Punjabi singer and songwriter whose music has become known for its striking energy, expressive vocals and confident blend of traditional Punjabi influences with contemporary pop production. The post invites listeners to revisit five of her tracks that deserve a place on a personal playlist.

Although playlist choices are naturally subjective, Sandlas’ catalogue offers a clear reason for her lasting appeal: her songs can move easily between dance floors, film soundtracks and personal listening. Her voice carries a distinctive edge, while her performances often balance attitude, emotion and rhythmic precision.

Why Jasmine Sandlas remains a distinctive voice

Jasmine Sandlas has built a strong identity within Punjabi music and Indian popular culture by refusing to fit into a single musical mould. Her work includes independent Punjabi releases as well as playback appearances in Hindi cinema. That range has helped her connect with audiences who discover her music through different routes, from Punjabi pop playlists to mainstream film songs.

One of the defining features of her music is its directness. Sandlas often performs with a conversational intensity, making even a high-energy track feel personal. Her vocal style is immediately recognisable, which is especially valuable in a crowded digital music landscape where songs compete for attention within seconds.

Five Jasmine Sandlas tracks to revisit

A playlist built around Sandlas can begin with “Yaar Na Miley”, her widely recognised collaboration from the Hindi film Kick. The song introduced her voice to a broad Hindi-film audience and remains an important example of how Punjabi musical energy can be incorporated into a mainstream Bollywood soundtrack.

“Illegal Weapon”, recorded with Garry Sandhu, represents another important part of Sandlas’ musical presence. Its strong hook and rhythmic drive helped make it a popular choice for listeners looking for a confident Punjabi track with immediate replay value.

For a more pop-oriented selection, “Sip Sip” remains a natural addition. The song’s catchy refrain and dance-friendly arrangement reflect the accessible, playlist-focused character of much contemporary Punjabi pop, while Sandlas’ performance gives it a recognisable personality.

“Patola” also demonstrates her ability to deliver a track built around swagger and momentum. Its appeal lies in the combination of a memorable vocal line and a production style designed for social listening, celebrations and high-energy playlists.

A fifth choice can be “Gulabi”, a song often associated with Sandlas’ independent Punjabi music identity. Compared with her more overtly commercial dance releases, it offers listeners another entry point into her catalogue and highlights the importance of her non-film work.

More than a collection of party songs

It would be easy to describe Sandlas only through the dance appeal of her music, but that would overlook the broader role of Punjabi independent artists in shaping Indian popular music. Artists such as Sandlas have helped create a space where regional-language releases can travel widely without losing their linguistic and cultural character.

Her music also reflects the changing relationship between film and independent music. A singer can now reach audiences through a combination of cinema, music videos, streaming services, short-form video and live performance. This has made an artist’s individual sound and image increasingly important, and Sandlas has maintained a clear identity across these platforms.

For new listeners, the best way to approach her work is not to search for one definitive style. A playlist can move from the Bollywood familiarity of “Yaar Na Miley” to the Punjabi pop energy of “Illegal Weapon” and “Sip Sip”, then explore the attitude of “Patola” and the independent character of “Gulabi”. Together, these tracks offer a compact introduction to the qualities that have made Jasmine Sandlas a memorable contemporary voice.

DPIFF’s Instagram reference

DPIFF’s video post recommends five Jasmine Sandlas tracks for listeners building or refreshing their Punjabi music playlists. View the original post on DPIFF’s official Instagram page.

About Dadasaheb Phalke International Film Festival

Dadasaheb Phalke International Film Festival is an Indian film and entertainment platform named after Dadasaheb Phalke, widely regarded as the father of Indian cinema. The festival recognises creative contributions across Indian cinema and brings attention to films, filmmakers, performers and technicians. Through its editorial and digital platforms, DPIFF also engages audiences with developments in cinema, television and music.

For listeners discovering Jasmine Sandlas for the first time, these five tracks provide an accessible starting point while also reflecting the wider evolution of Punjabi music in contemporary Indian entertainment.