Some films make noise. Some films make statements. And then there are films like Kaash — the kind that enter softly, sit quietly, and stir something deep within you long after the final frame fades. The Dadasaheb Phalke International Film Festival (DPIFF) proudly releases Kaash, a thoughtful and introspective short film directed by Mohammed Daanish Kabir, written by Mohammed Fouzuddin, and performed with emotional honesty by Mohammed Fouzuddin and Mohammed Firasath Raheem.

Kaash is more than just a short film. It is a feeling, gentle yet powerful, filled with the aching quietness of emotions we often avoid confronting. The title itself carries meaning. In Hindi and Urdu, “Kaash” translates to “if only,” a phrase that holds within it memories, regrets, longing, and the weight of unanswered questions. The film captures this sentiment with precision, unfolding like a fragment from someone’s inner world — the private space where missed chances and unspoken thoughts live.

The performances form the backbone of the film’s emotional pull. Mohammed Fouzuddin delivers a deep and affecting portrayal of a man caught between past and present, memory and reality. His silence communicates more than words ever could. Mohammed Firasath Raheem adds balance to the narrative, offering a performance rooted in sincerity and emotional restraint. Together, they create a natural chemistry that makes the story believable and relatable.

The direction by Mohammed Daanish Kabir is subtle, restrained, and deeply intentional. Serving as the director, cinematographer and editor, he brings a unified vision to the film. His approach is quiet but sharp, allowing emotions to breathe within the frame. He focuses on the small, meaningful moments that reveal more than dramatic gestures ever can. The visuals are soft and reflective, and the editing carries a rhythmic calmness that matches the tone of the story.

The story, written by Mohammed Fouzuddin, is grounded in emotional truth. It avoids heavy dialogue and instead leans on expressions, pauses and memories. It feels intimate, almost like reading someone’s personal reflections. The narrative touches upon lost moments, unspoken words, nostalgia, regret and emotional distance, along with the second chances that life sometimes offers too late. It is a story that whispers rather than shouts, yet its impact is unmistakable.

The film acknowledges the support of Mohammed Fakhruddin Khan and Mohammed Firasath Raheem, whose contributions helped shape the final creation. Their involvement adds to the collaborative spirit behind the film.

Kaash stands out because of its sincerity. In a world filled with fast-paced, high-intensity content, this film slows everything down and redirects attention to the emotions we often hide. Its strength lies in its relatable themes, raw performances, simple yet powerful writing, atmospheric visuals and a universal message about longing and regret. It is the kind of film that prompts viewers to reflect on their own unspoken “if only” moments.

By releasing Kaash, DPIFF continues its commitment to supporting emerging filmmakers who bring authenticity and emotional depth to their work. The film reflects the spirit of meaningful cinema — a form of art that touches the heart, sparks introspection and brings human stories to the forefront.

Kaash is gentle, melancholic and honest. But above all, it is deeply human. Through its performances, direction and layered storytelling, the film becomes a reminder of the emotions we carry, the memories we return to and the quiet wishes that remain long after people leave. DPIFF is proud to present Kaash, a short film that does not just tell a story but invites viewers to feel it.